"For the third time since its creation in 2013, Borderline, choreographed by Sébastien Ramirez and Honji Wang, performed at the Théâtre de la Ville,
in Paris: a proof of the outstanding success of this couple of hip-hopeurs ...
"Sébastien Ramirez and Honji Wang
triumph all over the world
by giving new colors
to urban dances."
Borderline : Contemporary social issues translated into dance.
Borderline: Poetry in gravity-defying motion.
The language that bridges their differences, though, isn’t some blend of ballet and breaking. It’s an outgrowth of hip-hop.
"In her veritable toccata of a solo, Wang played her body like a keyboard, each bone and joint as singular as the notes of a piano"
(Wang’s solo)... "an adept demonstration of what could be deemed urban mimetic moves"
"Wang improvised with exquisite and seemingly effortless fluidity to Novrasli’s ensembles"
"Molina enlarges the range of vision of Flamenco through improbable and aesthetic transgressions whereas Wang bends HipHop like a reed"
"(...) But most often, it’s a dialogue. One proposes, the other bounces back"
"Felahikum, a graphic evolution around the Rocío Molina’s dazzling flamenco and Honji Wang’s sublime HipHop, which received a standing ovation... transported"
"Two people complementing one another, two dance aesthetics encountering each other, fusing into each other to create their own language"